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Iceman: My Fighting Life Page 13


  Boxing will also always be about speed and strength. A fighter’s ability to strike with power, elude punches, and take advantage of openings quickly are the keys to his success. While some wily guys can last on talent and wits, boxing is a young man’s game. But in the UFC, leverage plays just as important a part of success as punching. Learning jujitsu for me was as much about longevity as it was improving my ground game as I began my career. Randy Couture is a heavyweight champ at forty-three. And he is not slowing down. That comes from his ability to dominate on the mat. I know I won’t be the most powerful striker in the sport forever, but that doesn’t mean I won’t be able to compete. That’s the beauty of mixed martial arts. Multiple disciplines mean multiple ways for fighters to evolve during their career.

  Winning a fight—there ain’t nothing like it.

  In 2002, however, I was just thinking about beating the crap out of people the best way I knew how, with pure striking power. After the Randleman bout I didn’t get the title fight against Tito because he was going to fight Ken Shamrock. Still, I wanted to stay sharp. I was in too good of a rhythm not to challenge myself against topflight challengers. Even while Dana was telling me I shouldn’t take fights against guys like that in case I slipped up once and lost. Then I’d have to fight my way back into contention for the Ortiz fight. But I fight to prove I’m the best, every time. And that means standing toe-to-toe with the strongest guy willing to challenge me. In UFC 33 in September of 2001, that was Murilo Bustamante, a Brazilian who, naturally, was a jujitsu expert and had been schooled in the Vale Tudo style. Basically that meant he was impossible to hurt and would never tap out. Bustamante was actually a founder of the Brazilian Top Team, which had been established to come up with entirely new styles of fighting in mixed martial arts. Bustamante was at the top of his game when we fought, so much so that four months later he would actually win the UFC’s middleweight title. This is what Dana was warning me against: Why take a fight I didn’t have to? Why risk a loss when a title shot was mine if I was patient and strategic about my choices? Well, because I don’t ever want to waste a fight. It’s an insult to whatever gifts I’m lucky enough to have.

  Besides, if I lost the bout, I didn’t deserve the title shot in the first place. Then whomever I lost to would obviously deserve the title shot. I am a fighter. The belt was just a symbol of being the best. The only reason I wanted the belt was because I wanted to beat Tito. People considered him the best guy out there at the time, so he was the guy I wanted to beat.

  But for now, I had to beat Bustamante. To be honest, I didn’t train well for that fight. I had gained too much weight the summer after beating Mezger and I had to rush to cut pounds. I normally like to fight at 205 pounds. I walk around weighing between 212 and 222 pounds. I was 220 pounds just days before that fight, which left me feeling sluggish. That cost me some stamina and power. Even worse, I underestimated Bustamante, especially stupid considering his experience and that he was peaking toward a title shot as well.

  When the fight began, I was the aggressor, on the balls of my feet, leaning in, looking to strike quickly. I knocked him down in the first round, and the crowd started chanting, “U-S-A, U-S-A.” Then I nailed him again at the end of the first round with a huge right to the side of the head. He started swelling up just as the bell sounded. I was hoping I had hurt him and could pummel him a bit more in the second round.

  But then my lack of training caught up to me. He went for an ankle lock early in the second round and I escaped, but I was winded from that. Then he nailed me with a huge right-left combination. I had let the fight slip away a bit, mainly because he was getting more confident that he could stand. He was throwing some quick, stinging jabs, which I didn’t expect since even he had described himself as 100-percent Brazilian jujitsu. Late in the second he shot for my legs again and tried to lock me up, but I was able to slither away. Still, I was not being assertive. I did a lot of dancing in that second round and wasn’t looking for openings—or taking advantage of the ones that I saw—nearly as much as the first. Sometimes, when I did make a move, I was reaching and didn’t have great form. He took advantage when I opened myself up.

  In the third we were both pretty tentative, partially because we were wary of each other and partially because, by now, we were both winded. If either of us got in a big hit, it might have ended. And, with 2:13 left in the fight, I thought I had done that. I caught him with a big right that knocked him onto the mat. Normally I’d go for the ground and pound, but he was such a dangerous grappler I didn’t want to get caught up with him. So I hovered over him while he lay on his back, kicking his thighs and making it tough for him to get up. We were like that for thrity seconds until the ref backed me up.

  With about 1:15 left, I think we both felt that to guarantee a win, we had to go for a knockout. Putting it in the hands of the judges would have been too close of a call. I landed a nice combination to his head. Then he popped me in the face with a shot I wasn’t expecting. But neither of us went down for the count. It was an exhausting, well-executed fight. I’m not sure either of us had the power to finish it by the end.

  You never want a fight to go into the hands of the judges. It’s too subjective. I may have thought I outpointed Bustamante, but the judges could have downgraded me for being kept on my heels in the discipline that is supposed to be my specialty. The punishment of a fight is easy compared to the torture of waiting for judges.

  Luckily, they saw the fight my way, unanimously. Not that there wasn’t a little controversy. Plenty of UFC fans debated the judges’ call and believed that Bustamante deserved the win. I could see their points, so I went back and watched the fight twice. Both times I thought it was close, but I had still won. The fight did teach me two things: Listening to other people’s scouting reports about fighters is a waste of time, and to leave no doubt, you’ve got to knock a guy out.

  In UFC 35 in January of 2002, I fought Amar Suloev, an Armenian kickboxer. I had a five-inch height advantage on the five-nine Suloev, but he was an aggressive fighter who, while he had a wrestling background, liked to stay on his feet. He had also won twelve straight mixed martial arts matches.

  Hackleman worked me hard for that fight because I was so sluggish in the Bustamante fight. And it paid off. I went after Amar right away and I hurt him early. But he didn’t really reciprocate. I expected a different fight from him, honestly. He is so aggressive, and because of his experience as a kickboxer, I thought he would stay close and try to trade punches. But he backed off for most of the fight once I had connected. I won the first two rounds easily, and I kept chasing after him, but he would just take a punch and then run. There’s nothing I could do about that. In the third round I threw fewer punches, partially because I couldn’t get close, but also because I moved into kickboxing mode. I was kicking his legs and expecting to get a head kick in. I just didn’t get it in before the bell sounded, and again it went to the judges.

  Unlike with Bustamante, there wasn’t a question about this fight. I could have pressed harder—I didn’t throw much more in the third than an overhand right—but I was out there in control, just throwing my attacks. If he came at me a little bit, maybe I could have landed one. However, it is really hard to knock a guy out if he is running away from you. Fans didn’t love that fight—a second straight decision after I had been knocking people out—but a win is a win.

  In the UFC world, I was on fire. I had won eight straight fights against strong competition. I was becoming a name, a potential draw, developing a fan base, and doing it all the way I thought it should be done. Not by bragging about myself or ripping opponents, but by being a powerful striker who was feared as a fighter.

  And my timing couldn’t have been better.

  CHAPTER 25

  LOYALTY IS EVERYTHING

  THIS WORLD WAS GETTING KIND OF CRAZY NOW. The money was bigger. The fights were bigger. I was getting more popular. And thanks to my sperm donor, I had seen what kinds of people can come out of the woo
dwork when you start getting attention. It makes you nervous. How can it not? I’m an open guy, I trust a lot of people. If you walk down the street and want to start a conversation with me, then I’ll stop and chat and take a picture and sign an autograph. But, at the same time, I needed to surround myself with people who didn’t care if I was on the way up in a growing sport or bartending back at the Library.

  In 2002 I had bought a house—a perk of the job and something I had never thought about doing. Because of my training and travel schedule (it seemed I was always on the road either pimping the sport or fighting), I needed help managing stuff in my life. My brother Dan lived with me for a while. And I invited my friend Antonio Banuelos to move in, too.

  Antonio loves to fight. He grew up in a big Mexican family in Fresno with gangster cousins, and every weekend one of them was beating the crap out of another. As Antonio says, “You get boozing and see your cousins fighting in front of you, then something is going to go down.”

  The dude’s only about five-three, which means, as a brawler, he’s perfectly built for wrestling. He was a stud in high school, then wrestled at Cal Poly San Luis Obispo about ten years after I did. I met him through a bunch of friends there. He wanted to train with Hack and then get into the UFC, and I offered to help him out. The guy is intense. One of Hack’s drills is swinging a sledgehammer into a tire. He’ll have you do it close to two hundred times in one session, switching arms back and forth. Afterward, it’s difficult to lift a toothpick. Your arms are burning, your back is tight, your shoulders feel as if they were carrying anvils, and your forearms bulge like Popeye’s. It’s nasty. But Antonio doesn’t let up on that tire. He’s a punk-rock kid at heart, and a sound track of that stuff must be playing in his head all the time, because he’ll be pounding the tire harder at the end than he was at the beginning, pushing the guys he’s working out with to finish as strong as he does.

  Antonio’s an animated guy, literally. He’s got tattoos from his neck to his back to his legs. He gets one after every one of his fights. Hack and I had to make him stop getting them above the shoulders in case he wants to open a gym one day. Tats on the forearms don’t scare away customers as much as snakes wrapping around your throat. And he doesn’t just tell a story; he’s usually jumping a few feet in the air to get his point across. He finishes off with a lot of “Bam!” and then the sound of his fist punching his open palm. He’s also fiercely loyal—a scary, wouldn’t-hesitate-to-take-someone-out-and-go-to-jail-for-me-if-he-felt-I-had-been-wronged loyal. To me, loyalty is everything. You can get away with saying and doing a lot more to me than you can to one of my friends. You’ve got to do right by the people closest to you. My mom can remember back in fourth grade watching me run across the playground when I saw a bully picking on one of my buddies. I stood up to him and said, “You can’t do that. If you’ve got a problem with him, you’ve got a problem with me.” My brother Dan is six-five and knows how to hurt people, but if I see someone starting with him, my first instinct is to be protective.

  I know I can handle myself in a fight and that I don’t mind getting into one. But that’s not true for everyone. And if someone I’m close to—someone I know isn’t all that interested in throwing punches—is getting into some trouble, I’m going to step in. I’d like to settle things down. But if I can’t, so be it. That doesn’t mean you can’t tell friends when they’re being idiots and asking for trouble. But if things go down, you’ve got to be ready, too.

  * * *

  HOW TO BEHAVE LIKE A GROWN-ASS MAN:

  You’ve got to take care of yourself. I’ll look for my buddies when it’s time to go, give them fifteen or twenty minutes to come back to where we were hanging out or for me to find them. But that’s it. After that, you’re on your own. You’re a grown-ass man, okay? Get home by yourself. We’re not holding your hand.

  * * *

  Not that you can’t make exceptions. When I was around twenty-six, a buddy asked me and Dan to drive with him to Bakersfield so he could confront a guy he thought was dating his ex-girlfriend. On the way there Dan and I realized our buddy had lost it, he was basically stalking her. When we got out of the car to knock on the guy’s door, I looked at Dan and said, “I can’t do this stuff anymore.” So we turned around and left. The point is, if your buddy is stalking a chick, don’t help him beat up the guys that she’s dating. You’ve got to know where to draw the line.

  Seriously, though, who wouldn’t want a guy as loyal as Antonio on his side? I needed people around I could trust, who had known me before the UFC started going mainstream. Since I was starting to take off and Antonio was just getting his career started, I made him an offer: Come live with me and Dan in my new digs, help me out as my assistant, and you can focus on training and fighting. He accepted. And then his fight career started rolling. He won nine straight mixed martial arts matches. Now when people deliver pizza to the house, he answers the door and gets recognized as a fighter.

  That’s as rewarding as anything I can do in the ring.

  Of course, no one knows me or Antonio if they don’t see our fights. Dana has always liked to say that the Trojan horse for the UFC, the one thing that would knock the door down and turn this from a fringe sport with hard-core fans into a mainstream event with the pageantry and hype of boxing in the old days, was television. And not just pay-per-view, which we were on and doing well with in just the first year Dana and the Fertittas had owned the sport. He was talking about the stations you get whenever you sign up for cable. Finally, in June of 2002, he got the interest that he needed.

  Lorenzo and Dana had been working David Hill, the president of Fox Sports, to get UFC fights on the air. Hill is one of the most innovative and risk-taking execs in sports. He carries around a notebook that only he is allowed to touch that has every idea he has ever thought of for television, beginning with his days working for Rupert Murdoch in Australia. I’m pretty sure he never had an entry in there that began, “Sign up mixed martial arts.” Yet he did just that. At first it was taped shows with UFC highlights and fights. But the numbers were through the roof, something they hadn’t expected. It gave Dana the balls to push for bigger and better exposure.

  Fox’s The Best Damn Sports Show Period had been building the exact audience that loves UFC fights. Young guys in college who like to tell raunchy jokes, get messed up, and see guys beat the snot out of each other. The show had Chris Rose and a bunch of jocks and comedians mixing it up. They riffed on everything from the day’s scores to the pros who were acting like jerks. And it was the first show to really embrace mixed martial arts. While ESPN and other networks ignored it for years, The Best Damn Sports Show Period was airing UFC highlights, the best, most cringe-inducing ones they could find. The show treated ultimate fighting like a legit sport, talking about the winners and losers and contenders with the same seriousness they talked about the Patriots winning the Super Bowl or the Yankees contending for the World Series.

  When the producers were putting together their Best Damn Sports Show Period “All Star Summer Celebration,” they decided to try something different. They hadn’t been losing viewers with UFC highlights, people hadn’t been complaining, and they had hours of programming to fill. Besides, Dana was in their ear 24/7 about putting some fights on the air and making an event out of it. Dana is the kind of guy I would hate to fight in the ring. He’d never stop coming. You could rip his arm off and start beating him with it and he’d still keep trying to take you down. That’s the kind of energy and passion he was bringing to those early days of his reign in the UFC. He was a man possessed with making this thing happen. The network execs had been happy to run the highlights because they knew it played to their audience. But they were skeptical about how an actual fight would play on TV, not just with people watching who only knew of the UFC’s brutality, but with skittish sponsors. In the end, they took the shot to make it a part of the show, but I think it was partially just to get Dana off their back.

  The fights came together at the
last minute, which is why it was called UFC 37.5. But, even though most of us had less than five weeks to train, we all wanted in on the showcase. The card for UFC 38 in London had already been announced. Even the posters for UFC 38 had been printed. UFC 37.5 is not the greatest name in the series, but promotion isn’t a pretty business. UFC 37.5 was a six-match card in which me taking on Vitor Belfort was the main event. Dana had been told when he bought the UFC that it would never get back on pay-per-view. When it did, they told him he’d never get on basic cable television. Now they were showing taped fights on Fox, and they told him he’d never get on live TV because the UFC was too unpredictable—you could never know what was going to happen. Only now, it was about to happen. Free TV reaching millions was the opportunity the sport had been waiting for.

  Leading into our match, Vitor had already made his name internationally as a fighter. He was Brazilian, of course, and had earned his jujitsu black belt at nineteen training under Carlson Gracie. He was one of the best grapplers in the world because he had learned from one of the best grapplers in the world. In his first MMA fight he knocked his opponent out twelve seconds into the first round. In his first UFC tourney he had such an easy time taking guys out he was nicknamed the Phenom. By 2001 he was considered the top light heavyweight contender, ranked ahead of me even, and was in line to fight Tito in UFC 33. But an injury prior to the fight knocked him out. Now he was trying to make his way back into contention. And beating me in UFC 37.5 would put him there.